
constellations we mistook for footpaths home
Sreeja Naskar
Do not come back.
But if you must, think of me only as the mother who once
combed burrs from your hair
on the back steps after you chased the neighbor’s cat
through the winter-killed grass.
I wanted to scold you but couldn’t. You laughed too hard,
and I loved the noise.
Don’t think of me as I am now—hips aching and
hands that drop spoons
for no reason but time. Think of us, if you must,
on that August morning at Beaver Lake, when you
waded in up to your thighs
and begged me to join you.
How the water was warm at the surface, cold at the knees.
How minnows darted like silver stitches
trying to hold the world together.
Your swimsuit had ladybugs on it. Mine was a faded black one
I swore flattered no one,
but you said it made me look “strong.”
We shared a peach that dripped down your chin in sunlit strings.
You counted twelve dragonflies,
then stopped when a thirteenth landed
on your shoulder as you held your breath.
Afternoon stretched endless before us. No longer.
Now something sharp
works its way between my ribs each morning you don’t call.
Your younger brother asks
where you sleep, and I pretend
I know. You don’t have to shoulder this house’s quiet
or fold the laundry you abandoned
on the day you left. This part of the mountain
is mine to climb alone.
I must go on living without expecting footfalls on the porch.
But if you look back—
please see me not as the woman pacing the kitchen at dusk,
but as the lantern
you once carried
on Halloween, its crooked paper sides glowing gold
with a borrowed fire.
Night will end. You will walk somewhere brighter.
I will remain here,
dimming gently,
still holding the light
you left in my hands.
Sreeja Naskar
Sreeja Naskar lives in a city with more sun than is reasonable. Her work has surfaced in several corners of the internet, including The Best of the Net Anthology, ALOCASIA, Temz Review, Ghudsavar Literary Magazine, ONE ART, Ink Sweat & Tears, Scapegoat Review and Acumen Poetry, largely because editors occasionally mistake her existential dread for poetic nuance. When not writing, she's usually found apologizing to her half-dead succulents for her lack of a green thumb.